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The Wall in the Middle of the Book

The Wall in the Middle of the Book

Current price: $18.99
Publication Date: October 2nd, 2018
Publisher:
Rocky Pond Books
ISBN:
9780525555452
Pages:
48
Usually Ships in 1 to 5 Days

Description

A foolish knight is certain that his side of the wall is the safe side in this clever, amusingly meta picture book by the acclaimed creator of It's Only Stanley

There's a wall in the middle of the book, and our hero--a young knight--is sure that the wall protects his side of the book from the dangers of the other side--like an angry tiger and giant rhino, and worst of all, an ogre who would gobble him up in a second! But our knight doesn't seem to notice the crocodile and growing sea of water that are emerging on his side. When he's almost over his head and calling for help, who will come to his rescue? An individual who isn't as dangerous as the knight thought--from a side of the book that might just have some positive things to offer after all!

About the Author

Jon Agee is the author/illustrator of many acclaimed books for children, including the Boston Globe-Horn Book Honor winner It's Only Stanley and the ALA Notable Books Little Santa, Terrific, Milo's Hat Trick, and The Incredible Painting of Felix Clousseau, and a series of popular wordplay books including the IRA-CBC Children's Choice book of palindromes, Go Hang a Salami! I'm a Lasagna Hog! Jon grew up along the Hudson River in Nyack, New York, and went to college at The Cooper Union School of Art in New York City, where he studied painting and filmmaking. Now a full-time author, he lives in San Francisco with his wife, Audrey.

Praise for The Wall in the Middle of the Book

"Agee’s expert interplay between words and pictures invites readers to question the narrator’s reliability. With too much attention toward outward threats, the knight neglects to see those from within—a timeless message but also one that, in 2018, will surely strike a chord with many readers." —Kirkus Review

"Agee nails pacing and punch lines, making inventive use of the famous fourth wall as a literary device (and giving the book a new wall altogether). Most satisfying is his gentle reminder that preconceived notions about things and people, over a boundary or otherwise, are often distinctly wrong." —Publisher's Weekly